Posted on Thursday, December 13, 2007 - 05:12 pm:

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No score nominations for Lust, Caution or Ratatouille?

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Posted on Friday, December 21, 2007 - 10:51 am:

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1. “Juno”: How can I choose this warm-hearted comedy about a pregnant teenager, when the year was rich with serious drama? First, because of all the year’s films I responded to it most strongly. I tried out other titles in the No. 1 position, but my heart told me I had to be honest: This was my true love, and I could not be unfaithful. It is so hard to make a great comedy at all, and harder still to make one that is intelligent, quick, charming, moving and yes, very, very funny. Seeing “Juno” with an audience was to be reminded of unforgettable communal moviegoing experiences, when strangers are united in delight. It was light on its feet, involving the audience in love and care for its characters. The first-time screenplay by Diablo Cody is Oscar-worthy. So is Ellen Page’s performance in the title role, which is like tightrope-walking: There were so many ways for her to go wrong, and she never did.

2. “No Country for Old Men”: A perfect movie, I wrote after the premiere at Toronto. And so it is. The Coen brothers supply not a wrong scene or even a wrong moment. A story bleak and merciless, played out by characters who are capable of almost anything except withstanding the relentless evil of its serial killer. Based on the Cormac McCarthy novel, it builds on his eye and ear to create a world in which ordinary assumptions go astray, and logic is useless. With spare, wounded performances by Josh Brolin, Tommy Lee Jones, Woody Harrelson and many others, and Javier Bardem as not a man so much as a force of destruction.

3. “Before the Devil Knows You’re Dead”: It was a year for the great character actor Philip Seymour Hoffman, so different and so good in this film, “The Savages” and “Charlie Wilson’s War.” In “Devil,” he and Ethan Hawke play brothers, unlike except in their urgent need for cash, who plan a “victimless” hold-up of their family’s jewelry store. Everything goes wrong, they feel anguish and panic in the pits of their stomachs, and in the eyes of their father (Albert Finney), the hurt is almost unbearable. They lie and deceive first others and then themselves, and it all turns to ashes. Another masterpiece by Sidney Lumet, who is 83 and at the top of his form.

4. “Atonement”: The momentary misunderstanding of a child destroys all possibility of happiness in three lives. Saoirse Ronan plays a young adolescent in a wealthy English family, who sees her older sister (Keira Knightley) and the family groundskeeper (James McAvoy) in a confrontation she misunderstands, which later leads her to telling an unforgivable lie. Against the canvas of World War II, the love of the two older characters is prevented from realizing itself, in a stunning period picture that centers on a tracking shot at Dunkirk that is one of he most elaborate ever staged. Directed by Joe Wright, based on an Ian McEwan novel that saves a final ironic insight until the end.

5. “The Kite Runner”: The beloved best-seller by Khaled Hosseini about two boys in peaceful pre-war Kabul, before the Russians, the Taliban, the Americans and the anarchy destroyed Afghanistan. The boys and their parents are seen in tender detail, then revisited years later after devastation has overthrown their lives. Homayoun Ershadi, who plays the father, has such expressive eyes he makes many of the film’s points without speaking. Director Marc Forster, filming in local languages in Afghanistan and the United States, interlaces the fabric of these lives with a heartbreaking story that leads to a powerfully uplifting ending.

6. “Away From Her”: The Canadian actress Sarah Polley makes her directing debut with a heartbreaking story of the destruction of Alzheimer’s. Julie Christie, in one of the year’s best performances, plays a woman whose memories are inexorably slipping away. Gordon Pinsent plays her loving husband, who cannot comprehend how he could so quickly come to mean so little to her. Based on a story by Alice Munro, the film sees through his eyes the disappearance of love, history, life itself, as he lives on in loneliness.

7. “Across the Universe”: Possibly the year’s most divisive film; you loved it or hated it. Julie Taymor brings all of her gifts of visual invention to a story centering on a group of friends living in Greenwich Village and expressing their lives through the Beatles songbook. They encounter people not unlike those in famous Beatles songs or albums, and the music sheds light on their experiences — sometimes unexpectedly, as when “I Want to Hold Your Hand” tenderly expresses the deepest feelings of a lovelorn lesbian cheerleader. The movie captures the best of what the Beatles represented. I want to see it two or three more times, experiencing it like a favorite CD.

8. “La Vie en Rose”: A virtuoso performance by Marion Cotillard as the beloved “Little Sparrow,” the legendary singer closest to the hearts of the French. Raised in a brothel and then the “property” of a gangster, she was only 4’8” tall, but had a voice that filled the city. Cotillard portrays her rising from the gutters to international stardom, and then dying of an overdose at 47. The title refers to her most famous song, about life through rose-colored glasses. The film ends with “Non, je ne regrette rien” (“No, I regret nothing”). The period is vividly re-created by director Olivier Dahan. One of the greatest of musical biopics.

9. “The Great Debaters”: Denzel Washington’s spellbinding film based on the true story set in 1935 about a debate team from Wiley College, an obscure black institution in Texas that defeated Harvard for the national championship. Washington plays their coach, who demands the highest standards, but the film is not another story about an underdog championship, but a searing reminder of the racist society the team lived in. On a night journey, Washington and his students happen upon a lynching; the horror and danger are overwhelming. With Nate Parker touching as the team researcher who becomes a last-minute substitute, Denzel Whitaker as debater and future CORE founder James Farmer Jr., Jurnee Smollett as a debater who calls on her deepest feelings, and Forest Whitaker as a local preacher who becomes galvanized. It’s a deep emotional experience.

10. “Into the Wild”: Sean Penn’s bleak but sympathetic drama is based on the real story of Christopher McCandless, an idealistic loner who trekked into the Alaskan wilderness and died there. The movie shows him meeting mentors along the way, who are concerned about him, especially a rugged individualist (Hal Holbrook) and a spirited hippie (Catherine Keener). Emile Hirsch plays the role to within an inch of his life, somehow expressing without seeming to try how his tunnel vision leads him through his dreams to his disaster. Could have been dreary, but Penn’s screenplay and direction are compelling.

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